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It's a difficult thing to write about movies.I sometimes wish people wouldn't be so shallow as to pour much of their time on a series of moving images projected onto a large white screen.Yet here I am, spending my time and energy typing away about films.I find that there are two possibilities; either that I am wasting time in contemplation of foolish things or these films are truly important to me.In reality, both of these are true.In a nutshell, this is what KAMERABUFF is all about.
The Independent Newspaper,UK
In a rented motel room in the desolate desert,a lonely and depressed woman named Agnes spends most of her time drinking, grieving the loss of her son and fearing her abusive ex-con husband.One night her friend shows up with a strange, quirky man named Peter Evans .Peter is a strange, withdrawn man, but Agnes finds compassion from the stranger and the two bond immediately.Soon, Agnes and Peter begin a romance .The lonely Agnes is really hopeful about a new life beginning.But when Peter finds a bug in the bed, a tiny aphid which Agnes can't see, things start to get strange.
Adapted by Tracy Letts from his own 1996 stage play, "Bug" is an effective piece of unease, using the compact space of a filthy hotel room to incubate delirium and nightmarish displays of loyalty and insanity.The movie starts off as more of a character drama than anything resembling a horror film. We learn about Agnes' past, her issues with her ex-husband, the details surrounding the mystery of their child and about her lifestyle in general. From there, we learn through Agnes' conversations with Peter about his background and about some of his more unusual character traits. Peter's engaging and respectful manner strikes a chord with Agnes and he stays on. Agnes, naturally, is happy to have Peter around and, when he moves up to being a new lover and helpmate, she's even more so.
That is, until he starts to feel and see bugs everywhere, in the bed, on the floor, in his hair, the food, the drink – so much so, that Peter begins to convince Aggy that she is also afflicted with the same problem. And, pretty soon, they've bought every kind of bug spray, they have sticky fly/bug catchers hanging everywhere, he buys a microscope to examine the bugs and even his blood, searching for traces of bugs planted in his body by secret government forces.They hole themselves up in their hotel room, convinced that the government has used them as hosts for an experiment involving mind-controlling bugs, and the more delusional they get, the more they feed off of one another's paranoia until they've constructed a conspiracy theory to end all conspiracy theories.
Eventhough Agnes and Peter are pathetic loonies who lose their grip on reality, they're not all that different from the rest of society. Many of us are cut off from a real sense of social belonging, and almost all of us rely on tainted sources of information to draw our judgments about the world around us. There are documented cases of the military engaging in horrendous experiments on soldiers during World War 2.We're also bombarded with conflicting messages about dangers in the food we eat and the air we breathe, so the idea that some unforeseen contagion could bring us down is not all that farfetched.This film makes us believe that finding the line between rational explanations and paranoid hysteria is not easy.
To say this movie is weird would be an understatement. Bug makes the audience members extremely uncomfortable as the situation progresses, and I enjoyed every minute of it. The setting is so closed in that sitting in the seat makes one feel as if the room is closing in around them. The experiences of the characters become the experiences of the viewer, and by the end you are left wondering where you are and what just happened. On a subconscious level I think this movie represents the conspiracy theory living inside all of us. We may tend to think there was more to 9/11, or or any other disaster, but very few of us would be willing to go on record saying so, or risk looking like a loon.
Legendary director William Friedkin (The Exorcist ) seems an apt choice for this material who is well versed in dramatizing unfathomable despair and damage.He directs the movie with great skill, focusing our attentions on the characters without heavy stylistic effects, and emphasizing the way that one person's mania reinforces another's.Aside from the pacing, the character development, the twists and the cinematography, the film also really benefits from two fantastic performances. Ashley Judd as Agnes has never been better than she is here ; vulnerable and frightened but maintaining a strong core of self-reliance
Stage play actor Michael Shannon reprises his role on the silver screen as Peter Evans.He steals the entire show. Not only is he convincing enough to be a paranoid schizophrenic, but also he scares you when he has these outbursts, his conspiracy theories and when he goes to extreme lengths to prove that there are bugs. What is even scarier is that he acts, in the beginning, like an average guy, a guy that you might walk by on the street and in the coarse of a few days he plummets downward.Solid supporting work from Harry Connick Jr. as Agnes' ex- husband. Lynn Collins likewise impresses as Agnes' sassy and concerned lesbian best friend R.C.And stage actor
For those who enjoy a taste of the weird, paranoid delusions and are looking for something new and original ,Bug will crawl right up your alley.Its honest, gritty, and a wonderful example of gutsy filmaking.

Companies hire him to come and lay off their employees in a time of downsizing. Bingham spends a vast majority of his year flying from city to city, staying in a new hotel each night. In between firings, Ryan also gives motivational seminars called "What's in Your Backpack?"While flying across the country Bingham meets Alex , another middle aged travel hog and they begin to have no strings attached relationship whenever their travel plans overlap.Matters are complicated when Natalie, a recent college graduate, comes to Bingham's company and introduces the practice of firing people over the web.
"Up in the Air" introduces Ryan Bingham as a man who lives what can be described as a life of complete freedom: he calls no place home except the skies; he finds such purely joyous pleasure in the details of hotel rooms, car rental services, airport security procedures, efficient packing and travel, membership cards and loyal customer clubs . We glimpse his closet at one point and see that he has at most three or four shirts. His apartment, whre he lives less than a few days in a year, is completely bare. Most importantly though, Ryan has no major human connection in his life: not with a romantic partner, not with his co-workers, and not even with his own family. But while most of us would look at such a life as quite miserable, Ryan couldn't be happier or more content with his choice.
Also Ryan is very good at his job. He has learned of the unpredictability of human emotion in times of stress, and he's able to roll with it. Ryan can traverse just about any travel obstacle.His most valued human connection is with Alex , a fellow traveler with whom he can hook up whenever their flight paths cross. For all of his solitude and the harsh reality of his career, Ryan is actually a pretty good guy who is compassionate to the human condition. He knows what he does is personal.
But when hotshot college grad Natalie , develops a plan to do Ryan's job by video conferencing, he is against it. It won't work, the terminated need to see their terminator face to face. Also, it would take Ryan off the road, and so to show Natalie how wrong she is, he takes her out in the field with him.The heart and soul of the film, is not a wise pro teaching the rookie the ropes, but the gradual glimpses at the real Ryan Bingham, the man likely only comes out at night, when alone in one of numerous hotel rooms.
women, he begins to change. A man who has been isolated by his job, and thinks that an ordinary life of love, marriage, and kids is boring , attends his sister's wedding and begins to see that he desires companionship. He wants love. Now I won't give away the ending for it is both surprising and emotional. The screenwriters make it good without getting all syrupy, nor melodramatic. This plot may seem simple enough, but the controversial topic of companies firing their employees is a big part to this film and the collection of shots used of actual employees reactions when they hear the news that they are "let go" is priceless and scary.
Director Jason Reitman belongs to a very exclusive group of young filmmakers who are getting better with each film they make. With 'Thank You for Smoking', 'Juno', and now 'Up in the Air', he has demonstrated an unparallelled consistency . Even though this is his third major film , he simply works like he is already a master filmmaker.With this movie Reitman proves that a truly great movie can be made with nothing more than great performances and good writing. The design and look of the movie are all pretty standard, rooted in reality and not flashy. I applaud Reitman's decision to film the corporate world with a slick expertise and then when the characters are out mingling in the real world, such as when Ryan goes to his sister's wedding, he films everything hand-held, almost as if it is a documentary.The editing is clear-cut and sharp, and there are some great camera angles, specifically with the aerial shots of the cities and the sky.
The film is dominated by its star, George Clooney who plays Ryan Bingham.Clooney's range of emotions and depth is something yet seen in his illustrious career. Make no mistake about it, this is the highlight of his career thus far. His eyes tell the story of a lost man who has no clue how lost he really is. In the end it is his journey we don't want to see end. He is the reason we keep watching and hoping for a running time that never ceases.Vera Farmiga shows through her character, Alex Goran, what a true talent she is as well. She shines in her scenes and has chemistry to die for with Clooney. She is perhaps the most mysterious character of all leaving everything about her to the imagination, and leaving the viewer always wanting more of her.
.For me, the standout performance belongs to Anna Kendrick. Anna plays Natalie Keener with the elegance of a veteran actress. It is nothing less than a star making performance which steps her out from her Twilight shadow, and shows that she can in fact play the game.Her stern, hard nosed and focused portrayal of Natalie is highlight of the supporting cast.The film also features small, yet effective performances from Jason Bateman ,J.K. Simmons , Danny McBride , and Zach Galifianakis,Melanie Lynskey,Sam Eliott.
The Tokyo International Film Festival (TIFF), founded in 1985, is an A-category film festival that runs in the month of October .For the past few years, TIFF has replaced the traditional red carpet rolled for celeb arrivals with a green one, and programmed films that highlight the relationship between us human movie-goers and nature.This year's fest ran from Oct 23-31.Irish director Neil Jordon ("The Crying Game," "Interview with a Vampire", "Ondine" ) was the head of the festival jury this year . "The Social Network," by David Fincher was the opening film .
Intimate Grammar pivots on a Peter Pan-ish adolescent boy in 1965 Jerusalem caught between an adult world he detests and a childhood he refuses to grow out of — physically and mentally. In the early 1960s, the state of Israel is coming into its own as it simultaneously heads toward armed conflict with Syria and Egypt. It’s at this time that smart, sensitive adolescent Aharon (Roee Elsberg), 13 years old and small for his age, finds himself drowning in his own life. His vulgar, anti-intellectual father is a pathetic parental role model and shrewish mother Hinda is putting the fear of god into him . His neighbor, Miss Blum , is the catalyst that causes his fragile family to implode, and he’s losing his first love to his more adult best friend Gidon .
"Sarah's Key" relates a highly emotional yet unsentimental story about a Paris-based journalist digging into a Holocaust story that she discovers has a connection to her own family.The movie is based on a best-selling novel by journalist Tatiana de Rosney.
Back and forth the movie swings between the two time periods. Julia searches with increasing determination for scrap of information that will tell her what happened to Sarah and her family.Her surprising discoveries throw a new light on her current situation as a wife and mother forcedto make crucial decisions about her future.
Overview : Ding Bo and his friends Nan Feng (Fan Bingbing) and Fei are a trio of 20-something outsider-types that have no intention of sitting exams and getting into universities. When they need a new home for assorted reasons, they answer an ad placed by lonely, retired Chinese opera singer ,who is mourning the death of her son, and move into her sprawling apartment. Right off the bat, the foursome clash over lifestyle and values, with the bratty trio seeing fit to steal from her and invade her privacy. However, slowly but surely a bond among them develops and everyone eventually learns something from the next.
Overview :A laid-off steelworker named Chen (Wang Quin-yuan), has two passions in life -- his young daughter and music. When not minding his daughter and mentally deteriorating father, he plays accordion in a band composed of close friends and his girlfriend.Then his estranged wife suddenly materializes after a prolonged absence to demand a divorce and custody of their daughter . The little girl proposes that she will go with whichever parent provides her with a piano. So first, Chen tries to borrow money from his generally hapless friends and relations, then to steal a piano with those same hapless souls as his partners in crime.
Sixteen feature films were screened in the international competition of the 26th Warsaw Film Festival , which runs 8-17 October in Warsaw ,Poland. The Warsaw festival received the A category Film Festival ranking in 2009, in time for its 25th anniversary.This year's jury was headed by English director Antonia Bird.The 3 major award categories & winners are :
Plot :A Canadain-Lebanese woman dies in Canada and in her will she leaves two letters to her twin son & daughter. One is to be delivered to their brother (whom they did not know existed) and the other to their father (whom they had presumed dead). To find these people they have to travel to Lebanon to unravel the mysterious past of their deceased mother. As we follow their search, flash backs slowly reveal to us key moments in the life of their mother.
Film :Illegal
Film :Periferic (" Outbound")
it in. Outbound, she hits her targets one by one; she visits her brother, buries her mother and collects on a debt from a casual lover. Final destination: a cargo ship and the open sea. But first she must contend with the responsibility closest to her heart.
My Name is Kenji
Many books say "Death is relaxing."
Kenji is a mild-mannered and unassuming young man with an unconventional fixation: plotting his own suicide. After catching a glimpse of a girl in a school uniform at the library where he works, he feels himself drawn to this elusive figure. That night, as he ponders jumping off of a busy bridge, he catches sight of her—just in time to witness her tragic death. Through this horrific event he meets Noi , the girl's older sister. A tentative, uneasy relationship begins to develop as they try to console their silent grief and attempt to break the sense of despair and isolation gripping their respective lives.
'Last Life in the Universe' is a curious film that refuses to be pinned down to a particular style or genre, but is particularly Asian in its approach and outlook. The film is primarily a romantic comedy, the story of a lonely, self-absorbed Japanese man in Bangkok, unable to relate to the chaos that surrounds him,who eventually discovers himself in his attempt to communicate with a person he cannot understand and who can barely understand him – linguistically as well as behaviourally. However the film also unusually features a particularly violent yakuza sub-plot and elements of black humour in the depiction of Kenji’s imagined suicide attempts.
Human isolation is not a new subject in cinema (think of Michelangelo Antonioni's masterpieces L'Avventura and L'Eclisse), but it's an extremely difficult concept to translate into visual terms. Director Pen-ek Ratanaruang and master cinematographer Christopher Doyle certainly had their work cut out for them with this film, and they end up approaching the material the same way Antonioni once did: depicting the languishing internal states of the main characters through the environments they inhabit. Take, for example, the opening scenes of the film. Set in Kenji's immaculate apartment, its color scheme of sterile grays and whites, the neatly stacked books lined up on symmetrical shelving, and the methodically arranged refrigerator all indicate loneliness and despair.
On a first viewing, the film is indeed a confusing and unsettling experience, lulling the viewer into a easy-flowing romance with soothing music .Kenji &Noi make attempts to get to know each other but, because of the language barriers, there are long pauses between questions and answers. What little conversation there is takes place with a background drone of a Japanese language tape along with the softly beautiful music creates a soothing dreamlike state. As the relationship between Kenji and Noi becomes warmer, Doyle deepens the colors in the house and Pen-Ek stimulates our senses by showing the house cleaning itself as books fly onto shelves and papers flutter through the air to their resting place.
Two things contribute to the increased attractiveness of the film. The first is the presence of Japanese superstar Tadanobu Asano. He simply does more with less. He is able to be in the film and yet be in his own world at the same time; furthering Pen-Ek’s plot and yet projecting his own story of lost alienation as well. He brings a sort of childish innocence mixed with intellectual mayhem to the screen.In addition to Tadanobu’s great acting, this film has the cinematography of Christopher Doyle. After collaborating with Won Kar wai on 8 films ,Zhang Yimou on 'Hero' ,Doyle seems able to identify inherently with the subtlety and patience of Asian directors. Doyle eases off the over-emotive lighting and works with Pen-ek Ratanaruang to create economical images that are suffused with history and feeling. The film includes a tight knit supporting cast that includes Takashi Miike (director of Audition ,Ichi the Killer,Gozu )as a tough crime boss.
Although it was Thailand's submission for the 2003 Academy Awards, it's easy to see why Last Life in the Universe ultimately failed to garner a nomination. Competing against loud and attention-grabbing films like Hero and The Crime of Padre Amaro, Pen-Ek Ratanaruang's quiet and unassuming meditation on isolation and human connection simply got lost in the crowd.Thank goodness for DVDs and torrents , which allow discriminating movie watchers to discover small treasures that would otherwise be lost in the shuffle. This isn't a film that will appeal to a large group of movie viewers, but those willing to submit to the hypnotic power of this film will find a sublime and haunting viewing experience like few others.
Film :“Neds"(Non-Educated Delinquents)
Film : “Mysteries of Lisbon”
Film : "Home for Christmas"
Film : “Father”
Actress :Nora Navas
The film follows a big, Hollywood mega-star, Johnny Marco (Stephen Dorff), over the course of a few days in his life. We witness his excessive partying, his inability to look after himself and his lack of any real connections to the world. That is except for his 11 year-old daughter Cleo (Elle Fanning), who turns up at her father’s hotel one day whilst her mum is going through some unspecified crisis. Initially Johnny is bored, his eye always straying to the nearest beautiful woman. But he slowly begins to take notice and comes to examine what he is missing his own shell of an existence.
A Sad Trumpet Ballad – starts off set in Madrid in 1937, during the civil war. A troupe of clowns are entertaining some children, with the sound of aerial bombardment in the background, when suddenly a group of republican soldiers burst in and arm the clowns – desperate to turn the tide of a losing battle.Imprisoned after the battle is lost, the clown’s son is left without a family… and with revenge in his heart.Then we are taken forward in time to 1973 and the dying days of General Franco regime in Spain. The son has grown up and become a “sad clown” unable to laugh or make jokes owing to the tragedy of his childhood years. He falls in love with a female acrobat who is in fact the girlfriend of an abusive “happy clown”, who beats her . Soon the two clowns are engaged in an on-going and self-destructive feud, over a woman who can’t decide whether she wants somebody violent, but exciting, or somebody who wants to look after her, but lacks fire.
"It’s not too much of a stretch to say that the indecisive women is Spain and her two lovers are the two sides from the Spanish civil war. She flirts briefly with communism of the republic, but is seduced by the strength of fascist dictatorship"- director Alex de la Iglesia
The film focusses on Mohammed ,an Afghan who is detained after an encounter, and taken to a Guantanamo-style prison camp. After facing torture and interrogation in the prison, Mohammed is transported to an unspecified part of Eastern Europe , where he is able to make a daring escape after his transport rolls off the icy road and down a hill.What follows is a cross-country chase, as Mohammed must evade capture at any cost. Essential Killing is about survival and if Mohammed must take a few lives on the way, then so be it. There is nothing noble or heroic about our protagonist, as he does some very disturbing things, though the film doesn’t judge him either.
Vincent Gallo stars as Mohammed ,an Afghan who is detained after an encounter, and taken to a Guantanamo-style prison camp. After facing torture and interrogation in the prison, Mohammed is transported to an unspecified part of Eastern Europe , where he is able to make a daring escape after his transport rolls off the icy road and down a hill.What follows is a cross-country chase, as Mohammed must evade capture at any cost. Essential Killing is about survival and if Mohammed must take a few lives on the way, then so be it. There is nothing noble or heroic about our protagonist, as he does some very disturbing things, though the film doesn’t judge him either.
The experimental film is about the adventures of two slightly weird young women (who act more like adolescent girls) who hang out and do weird dances and talk about boys. One of them has a boyfriend, the other has a terminally ill father, with whom she is discussing burial arrangements.